Film Screening this Saturday: Wasteland

To continue to fundraise and open conversations about ‘Spaces of Expression’ the IPP CISV will host in Alexandria in less than 1 month, CISV Egypt’s Junior Branch, along with the IPP Staff will be hosting a movie night and discussion on social development through art.

Date & Time: Saturday, 1 December at 6-9pm
Film: Wasteland (2010) & Discussion on arts and social development afterwards
Place: CISV Office, 1 Sad El Aaly Street, Maadi

About the film: “Waste Land” is an award winning documentary by director Lucy Walker – An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world’s largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.

For more info: contact alex [dot] staff [at] eg [dot] cisv [dot] org or jb [at] eg [dot] cisv [dot] org


DNE: Art Lab Festival raises money for independent cinema hub in Alexandria

This article was written by Omar El Adl, for the Daily News Egypt, about our Art Lab Festival fundraising event. Find the link on their website here.

We also had other coverage on, an independent music online radio station, who wrote about our open music jam, and posted fantastic pictures from the music circle.

Children enjoy their art workshops in Art Cafe

Maadi’s dilapidated villas have been put to some outlandish uses over the years, chiefly as pubs and restaurants. Perhaps one of the better projects is Art Cafe, right next door to the Maadi police station. Art Cafe is a friendly, open air cafe that has a spacious indoor area dedicated to art activities.

Art Cafe hosted Art Lab Festival as a fundraiser for Spaces of Expression, a project by CISV Egypt’s International People’s Program and Gudran Association For Arts And Development. The day-long festival included daytime art workshops for kids, with food provided from the delicious, but overpriced, Cairo Kitchen.

The money goes to a good cause though; establishing a permanent space for independent and audio and visual arts in Alexandria. Tickets had a suggested fee of EGP 40 for adults and EGP 30 for children under 12, though some opted to pay more.

The art workshops started at 1pm and the short film screenings at 2pm. From 6pm to 9pm the audience was treated to Like Jelly’s humorous and spontaneous songs.

The art activities ranged from painting mugs to free painting in what Art Cafe called the creativity room. Art Cafe hosted the festival free of charge, aiming to add as much money as possible to the EGP 21,000 the project managed to raise prior to the festival.

As expected, the crowds started filling up the venue just around the time Like Jelly were set to play. The event had no information available in Arabic, but staff members were available to talk at length on the project and CISV.

“CISV Egypt is a registered NGO under CISV international which operates in 65 countries and 200 cities, focusing on intercultural learning and educational activities with a focus on informal learning or learning through participation and living in multicultural settings,” said Rowan El Shimi, staff member of Spaces of Expression.

CISV Egypt’s International People’s Program is inviting 25 volunteers, both local and international, from 12 countries, to live in Alexandria for three weeks starting on 27 December. The volunteers will work on renovating a spacious 12-bedroom apartment in Alexandria that used to belong to Bahna Films – one of the bigger production companies in Egypt that operated from 1932 to 1962.

“The owner of the apartment, Bassil Bahna, is donating the apartment to Gudran to transform it into a hub for independent cinema. It is a huge apartment but we hope to be done with two rooms by the time the volunteers leave, 16 January, so Gudran can use it for activities,” said El Shimi.

The apartment will also feature a cafeteria and a museum for Bahna films, with some memorabilia including original actors’ contracts, complete with signatures.

“In addition to the museum and the screenings, the 12 rooms will host other artistic activities, similar to Mosireen but not necessarily political,” said El Shimi.

The Art Lab Festival raised EGP 9,000 and CISV Egypt hopes to raise more. El Shimi says these things have a “way of working out.”
“We still need EGP 16,000 but we are hopeful and we are planning other activities. We are hosting a movie night on 1 December at the CISV office where we will screen Wasteland and have a discussion afterwards.”

Art Lab Festival: Join our fundraising event, this Friday

Post this photo on Facebook if you like our project!

We’re holding a fundraising event this Friday, 16 November from 1:00 PM to 6:00 PM in Art Cafe, in Maadi.

The day will be split into two parts:

– Until 6:00 PM is for the whole family (young kids are more than welcome!) where there will be art workshops of pottery, painting and decoupage, along with screenings of short movies every half hour.

– From 6:00 PM Like Jelly and other Cairene underground musicians will lead a group jam session, so bring your instruments, and get ready to drum, sing, and even dance!

The event will be catered by Cairo Kitchen (check out their awesome blog on food and culture), there will also be cakes and refreshments throughout the day, so make sure you come try their yummy Koshari and Egyptian dishes and desserts.

We would like to thank Art Cafe, from all our hearts, since they are donating the space and art workshops to us, so all the donations would come directly to the Project!

Join and share the Facebook Event here, and check out our electronic flyer here.

You can read our blog post on where the money you donate will go here and discover our blog for more information on the project, who we are and our partner organisation too 🙂


History of IPP, here and there

We thought you might be interested to read about the International People’s Project Programme, and how it works in other countries. Each IPP is very unique as it is centered around a project, and a different partner organisation, with a theme relevant to the local context.

IPP started in 1997, as an experimental project from the youth section of CISV, which we call Junior Branch. After hosting a successful IPP in Germany, and learning, a task force was in place to host more IPPs and with volunteer efforts, this idea developed into a programme, officially adopted and recognised by CISV International in 2008.

You can read more about IPP by visiting the international IPP Committee’s website, and facebook page.  A very interesting read also, is the IPP Book, a document put together where the people who took part in IPPs tell their stories themselves. Download your copy here.


Participants of IPP Farafra III run a recycling workshop for children

IPP in Egypt started in 2006, even though some people had gone to IPPs abroad before then. That year saw the begining of the Farafra Oasis IPP, which brought together the participants first to build things with the local community, work with the local women and plan informal educational activities with the school children. From then, the IPP continued with local members of CISV Egypt keeping in touch with the local community in Farafra, and in 2008 another IPP was hosted in Farafra which focused on spreading the spirit of volunteerism in the community. Finally, in 2010, CISV Egypt hosted its final IPP in Farafra which focused on giving the opportunity to the local NGO that was put together by the community during IPP 2, to organise the activities the volunteers were working on in the IPP themselves, along with volunteer recruitment and publicity, so they can effectively do similar restoration and developmental projects long after CISV was gone. Perhaps, what is not easy to convey in this blogpost was the deep human relationships that were formed between the beautiful Farafronis, and members of CISV.

International volunteers of IPP Farafra I work on restoring Qasr El Farafra alongside local volunteers

A weekend of staff training, inspiring thoughts

IPP Alexandria staff during our training with Nic Hargreaves

We’ve just finished our IPP Staff training. Nic Hargreaves from Great Britain, who is Chair of the IPP Committee flew in for the weekend and we spent a couple of days together learning new things and challenging each other on what the project actually is for each of us and us as a group.

During the training we went through the risks, and did some risk management, in addition to learning how to fill the Programme Director Planning and Evaluation form, to help us better understand if our goals are being achieved. More interestingly we had sessions to plan the schedule in detail, assign staff specific roles and responsibilities and most importantly we came up with a contemporary, interpretive dance meant to symbolize our project, which we will share with you soon.

All in all, we’d say it was a successful weekend, and it got us very excited and much more prepared for our participants’ arrival in less than two months now! A big thank you to Nic for all his input and care. We all felt it was very important to have him take us through this process, to look at it from the outside and ask the right questions.

In addition to the training, we gave Nic a bit of Cairo taste where he saw a bit of old Cairo, had a home cooked meal at the President of CISV Egypt’s house, attended a public art event, and saw the Downtown revolution Graffiti.

Gudran: Social change reaches Alexandria through the arts

For more than a decade, the Alexandria-based Gudran Association for Arts and Development has pursued social transformation through artistic projects and support for local culture — Article originally published in Ahram Online by Rowan El Shimi

Artists run activities with the children of El-Max

Alexandria, a city seldom thought of when thinking of Egypt’s contemporary cultural movement, continues to prove its vital role on the cultural scene. In past months, the Mediterranean city has hosted cultural festivals almost on a monthly basis, along with a continious line-up of independent musical, literary and theatrical events.Perhaps a major part of the recognition due for the booming scene should go to the Gudran Association for Arts and Development. The association’s most recent focus has been on bringing arts to people who lack access to it, as well as providing platforms and spaces for artistic talents to flourish and learn from each other.

The beginning: El-Max

“Gudran started as an initiative between a group of artists. Our philosophy was that we had a role to play,” Sameh El-Halawany, one of the founders of Gudran and an active member of the association, told Ahram Online. “This role should be with the people in a direct manner not just through exhibition spaces where artists showcase the work they do. We felt our role was beyond these limited spaces, in actual culture and social settings,” he said.

“Art is also a human need, whether for children of adults,” according to Halawany. With this philosophy in mind, the group of artists sought to take the first steps in bringing art to a community in dire need of it. Not just to satisfy the human need for art, but also to have art become a mirror through which society could reflect on itself and be able to imagine solutions to its social and economic conditions.

In 2000, the group started to work with a small fishermen village on the Mediterranean coast called El-Max. The village had an eviction notice pending on its residents since 1996, to pave the way for other projects in what was regarded by the government as a slum area. The problem was that eviction would mean taking the community away from its source of income, which was inherited, along with ending an era of life in the area dating back generations.

“We entered the community through the children,” Halawany said. “Children are the key to getting into a community. They gave us legitimacy from people’s homes to everywhere else. When a child comes to work with you, even once, whether painting or sculpting or anything, and then they go home and share their positive experience with their parents, step by step a beautiful relationship starts to form with the community.”

In 2003, Gudran chose a house in the middle of the village to work from, which eventually became one of their offices as an organisation. This house hosted various artistic workshops for children. Later on, they started hosting handicraft workshops for women, to revive traditional handicrafts of the area. From this point on a strong working group of artists joined the cause.

El-Max became a hub for artists who wanted to engage with a local community for social development, bringing artists from all over the world, who were met in good spirits by the community. Gudran hosted workcamps to restore houses, repaint the city, with volunteers from El-Max and outside of it.

“We wanted the place to shine,” Abdallah Deif, another active member of Gudran, said. Deif went on to explain that with all the cultural expressions and development efforts put into El-Max, along with the pressure on the government from locals, the eviction process ground to a halt. “When people started changing their perspective on that place, so did the decision makers in charge,” he commented.

More than 10 years later, Gudran’s El-Max space continues to work, according to Halawany and Deif, with three youth from the community running it and hosting regular workshops for children, along with a space for women’s handicrafts that now acts as an income generating project for the community. “These handicrafts are unique; you would never find duplicate items,” Deif explained. “They are artworks in the form of clothes.”

Downtown Alexandria: El-Dokkan and the ahwas

After the success of El-Max, the artists decided the time had come to bring that spirit of change onto the heart of Alexandria — its downtown neighbourhood. Even if the economic and social conditions in the neighbourhood were better than El-Max, Gudran still recognised the need for art.

“We wanted to get people together to think of their lives in a different way, specifically their problems in a different way, for them to gain an understanding of their own capabilities. There is an imagination crisis in our society, people don’t imagine what could happen.” Deif shared the association’s viewpoint with Ahram Online: “It is not our role to impose our point of view on a community with a top down approach; our role is to offer a way for this society to rethink how they would like to develop. We could help people identify the problem, because sometimes that can be the issue.”

Many who work in social development share this ideology with Gudran. For sustainability’s sake, if a community becomes dependent on an external non-governmental organisation or charitable group, they will not overcome their problems. However, if the community can be empowered to solve their own issues and develop solutions themselves, this becomes the new reality.

With this philosophy in mind, the group then moved to Souk El-Mansheya, the downtown market in Alexandria, a vibrant area with many salespersons and passerbys. Gudran went on to open an exhibition space in the area for visual arts called “El-Dokan” (The Shop). “We had it in the same manner as the other shops in the neighbourhood,” Deif commented. They also made it a point to get to know their neighbours to establish themselves in the community. El-Dokan continues to showcase visual arts with a lot of people coming in to see the work along with theatrical performances that take place on the street.

While El-Dokan proved to be a success, Gudran still felt the need to further engage the public with art.

“It’s very difficult to convince youth to go to the theatre or an exhibition, so we started to work with them in the ahwas (coffee shops),” Halawany said. Egyptian youth spend most of their social time in ahwas drinking tea, smoking shisha, playing games, watching football, or talking to friends. “We all got our culture from ahwas,” Deif added.

Activities in the ahwa projects varied from theatrical performances, music concerts, to exhibitions. Most ahwas they work with are downtown. However, they steer clear of the ahwas that are frequented by Alexandria’s artistic community, like “El-Togaria” or “El-Borsa.”

People asked many questions at the beginning when Gudran started the ahwas project. “The questioning then turned into requests. People would ask us when we were going to host a performance. There was demand,” Halawany said.

In Halawany’s opinion, the perception of art in Egypt is a social issue. He believes most people look at art as something that is just for rich people, which is why Gudran wanted to bring art to ordinary people, making it accessible and providing a wide spectrum of arts from different social classes.

“People would get astonished that a young man or woman from a very simple background is doing something extrodinary, which in turn nurtures the faith people have in their own talents, whether artistic or other,” he said.

El-Cabina: Nurturing music and literature

The ahwa projects saw Gudran grow organically into the next phase — supporting the growing cultural sphere in Alexandria. The association saw that while the cultural movement was growing. Sustaining it became an issue. Artists were having a hard time finding places to practice and perform, funding, technical support and connections with others on the scene.

A friend of the members of the association, Nicola Katsprisi, Greek-Alexandrian, was head of the company Enosis that owned the builiding next to Cinema Realto near Safeya Zaghloul Street (one of the busiest in Alexandria). When the cinema moved, the building was neglected. Out of Nicola’s belief in Gudran’s mission, he donated the building to the association and in 2010 this became El-Cabina, now one of the most active cultural centres in Alexandria for music and literary arts.

“We never would have dreamed to have a place like this, which probably would cost thousands of pounds just to rent each month,” Halawany said.

Always open to the public, and a place where people can come to hang out, El-Cabina in June hosted a five day music festival called Oufuky, and regularly hosts musicians from Alexandria and outside of it. Another component of El-Cabina is a music studio for bands to practice and record music. Renting the studio costs LE5 per hour instead of LE75-100, which is what studios cost on average. The studio hosts 37 bands who practice there regularly, including a number that grew exponentially over the past two years. The overall vision of the studio and performance space is part of a bigger project called ‘El-Mashtal” (The Greenhouse) that aims at fostering the independent Alexandrian music scene.

On the upper floor of El-Cabina, the library works on literary arts, with a vast selection of the latest books available and a borrowing system where people can simply give their phone numbers and borrow books for free. “There are only 20 unreturned books,” Daif said adding that books going in and out daily. The library hosts regular film screenings and also organises meetings with literary figures such as Sonallah Ibrahim, Khaled Fahmy, Ezz El-Din Shokry and several others on a monthly basis. There is always a theme and the figure comes not to give a lecture, but to talk to people on an informal level.

El-Cabina also parallels the ahwas project. Some performances take place in El-Cabina while others take place in ahwas.

Future projects

What the future holds for Gudran is yet to be revealed. However, the group is planning to start a project to nurture independent cinema. The group want to create a space for independent cinema, including production. The group is also setting out to create a museum for Egyptian cinematic history through one of Egypts oldest production companies, Bahna Films. The old office of the company is going to be donated to the project and Gudran aims to start working on this project over the next months.

“It was beautiful that after working in El-Max and witnessing the social change that happened, that you see society give you back what supports your idea, which in reality goes back to them. The opportunities we get come faster than our organisational growth,” Halawany reflected with a smile.

“Some people see what we’re trying to do as utopian, stupid or unrealistic. We were all told that one way or another. Then you discover it was those people that were just short sighted,” he said.

“The truth is, you do good and it comes back to you,” Halawany concluded.